Emma Frances

The Girl Who Ran Away to Sea

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This site-specific performance took the form of a journey, beginning at Gyllyngvase Beach, Cornwall, UK. Travelling through Gyllyngdune Gardens, down a spiral staircase and through a tunnel leading out onto the ocean; ‘The Girl Who Ran Away to Sea’ was performed at dusk thirteen times during the month of June, 2012.

 

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Two people were invited to attend each performance. They were led through this candle-lit landscape, experiencing poetry, music, improvisation, hand-holding, wine-drinking and reflection as the sun set and night drew in around us.

 

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I wanted to make a performance about people coming together and sharing something.

I wanted it to feel transformative and a bit surreal.

I wanted to grab the audience by the gut and make them feel something.

 

 

No two performances were the same.

The weather, the tide, and a million other influences made sure of that.

Wind, rain, sea and passers-by all became a part of the forty minute performance.

 

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There were tears.

There was theft.

There was spontaneous skinny-dipping with strangers.

 

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Everyone who attended was given a hand drawn flyer.

 

 

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Responses

“Listening to your words which talked about your experiences of closeness and loss, set in the scenery of the edge of the sea at dusk – created this space where I could reflect on my own experiences with intimacy – where I could feel relief that someone else experiences such similar things – personal and universal as the blue of the sky above us deepened. There were many sounds; instruments, street sounds, sea sounds and in the end – silence. It was a profound and deep experience.” – Verena

 

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Her voice was like a trembling soul, and I was moved by the sincerity, courage and clumsiness that she expressed in it. In the gathering dusk, all the different elements of the outside setting created a sensitive harmony which would never be the same. I felt that my living presence as an audience was also a part of her music, which was really an exciting experience. Her whole performance taught me how it’s important to be true and deeply connected with my inside, which it seemed I had forgotten for too long.” – Emiko

 

 

* Indicates photos by Jonathan Bowers-Bone

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